Women’s Prize for Fiction 2020: Longlist predictions

It’s my favourite bookish time of the year! I have been looking forward to Women’s Prize season pretty much since last summer – and I have, again, spent a ridiculous amount of time thinking about the possible longlist. Last year, I correctly predicted two books on the longlist, so it can probably only get better from here.

I am attempting to read the longlist (something I did not completely manage last year) with my wonderful group chat (of those lovely people, Emily is the only one to have posted a prediction post already). I do hope to have better luck than last year where I did not love nearly as many of the longlisted books as I hoped (and where my two favourite books were ones I had read before). But even if I end up hating most books, I am still beyond thrilled to be doing this again. This time I am aiming to finish the longlist before the short list is announced; I’ll be on leave from work from the middle of April onwards and I have the week of the longlist announcement off, so chances are actually decent that I manage this (she says, having finished two books in February so far). Continue reading “Women’s Prize for Fiction 2020: Longlist predictions”

Wrap Up January 2020 or Let’s see if I manage to actually write wrap-up posts consistently this year

My january was both the longest month ever and the shortest. I am apparently back at reading a mix of genres, which is nice – but I also did not read a lot.

Books I read in January:

  1. Headliners (London Celebrities #5) by Lucy Parker: 4 out of 5 stars (review) ARC
  2. Polaris Rising (Consortium Rebellion #1) by Jessie Mihalik: 3 out of 5 stars
  3. The Two Kinds of Decay by Sarah Manguso: 4 out of 5 stars (review)
  4. Girl, Woman, Other by Bernardine Evaristo: 4.5 out of 5 stars (review)
  5. Dragon Bound (The Elder Races #1) by Thea Harrison: 3.5 out of 5 stars
  6. The Last Smile of Sunder City (Fetch Philipps #1) by Luke Arnold: 3 out of 5 stars (review)

Favourite of the Month:

Girl, Woman, Other for sure. I just loved that book for everything it did.

Stats(ish):

I finished six books with 1700 pages altogether. Of these six books, five were written by women and one by a man (which was my least favourite of the month, make of that what you want). Five books were fiction, one was non-fiction. Three books were romance novels of some kind (one contemporary, one paranormal, one science ficiton).

Currently Reading:

I am in the middle of six books – and two books behind on my reading challenge. This bodes well for the year.

Books I should get to soon:

I already chose my next audiobook (The Man Who Saw Everything) but except for that I am letting my reading go wherever it wants.

Review: Girl, Woman, Other by Bernadine Evaristo

41081373._sy475_Verdict: Really quite brilliant.

My rating: 4.5 out of 5 stars

Genre: Literary Fiction

Published by Hamish Hamilton, 2019

Find it on Goodreads.

Teeming with life and crackling with energy — a love song to modern Britain and black womanhood

Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.

Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

I am late to the party with this one – and I am so glad I can finally rave with the rest of the world. I thought this book was all kinds of wonderful. Told in four trios of what some have called short stories (though I would not necessarily agree with that assessment), Evaristo has written a snapshot of Britain in a way that I have not read before. She focusses on the interlinked lives of eleven black women and one black non-binary person in a way that worked exceedingly well for me. The book is much more a character study of these brilliantly drawn people than it is plot-driven, but I loved spending time with all of these women.

The first trio of stories remained my favourite until the end, particularly the very first story focussing Amma – I found her endlessly fascinating and her relationships to her daughter (second story) and best friend (third story) painfully realistic. Painfully realistic is in general how I would describe this book – it is in parts hard to read but it does remain a thread of hope without being sentimental. Most of that is down to how flawed and real Evaristo lets her characters be. She does not shy away from depicting these women behaving atrociously, often without realising. I do have to admit that the really flawed parental relationships became harder to stomach for me as time went on.

The language is another big draw here. I listened to the audiobook which gave the book a more non-fictiony type of feeling – but the way Evaristo’s language just flows is impressive nonetheless. Looking at quotes it seems like the language looks a lot more experimental when seen written on a page – I will have to reread this book eventually in print to see how different the experience is.

I loved this book a whole lot – everything about it just ticked a lot of my boxes. I was sad to be done with it and to not be able to spend time with this incredible cast of women. If this does not make the Women’s Prize longlist, I will be very sad.

Content warning: miscarriage, still birth, child death, sexism, homophobia, racism, spousal abuse, rape, gang rape, forced adoption, post-partum depression