Verdict: Rooney is a genius.
My rating: 5 out of 5 stars
Genre: Literary Fiction
Published by Faber & Faber, 2018
Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years.
This is an exquisite love story about how a person can change another person’s life – a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us – blazingly – about cycles of domination, legitimacy and privilege. Alternating menace with overwhelming tenderness, Sally Rooney’s second novel breathes fiction with new life.
I am such a fan of Sally Rooney’s writing and I cannot imagine this changing, ever. The way she constructs her characters is something extraordinary and I am so very glad this book is on the longlist for the Women’s Prize for Fiction. I needed a brilliant book after some of other nominated books just did not work for me at all. I really hope she’ll make the shortlist.
Told in alternating viewpoints and skipping forward in time, this book chronicles Connell’s and Marianne’s friendship/relationship from their final year in school until shortly after their undergraduate degree. It is both fast-paced and intimate in a way that nearly perfectly catered to my reading preferences. For me the intimacy of her story worked exceedingly well; she narrows her gaze into those two characters in a way that made them near unbearably real for me. Rooney’s prose is readable and without frills but still expertly done to keep me engaged but for me, Rooney’s biggest strength are her characters; they are fully realized and flawed people who I cannot help but root for. Even more so than in her debut novel, she expertly broke my heart. I felt for these two people who keep on missing each other, who just for the life of them cannot communicate effectively, and who still cannot be without each other.
While I think that Conversations With Friends is the stronger of her two novels, both of them are ridiculously well-done and I am glad Rooney gets all the praise she deserves. She is such an exciting voice and I just cannot wait to see what she does next.
I am reading the Women’s Prize for Fiction longlist this year. My current ranking is as follows:
- The Pisces by Melissa Broder (review)
- Freshwater by Akwaeke Emezi (review)
- Normal People by Sally Rooney
- Milkman by Anna Burns (review)
- Ghost Wall by Sarah Moss (review)
- Bottled Goods by Sophie van Llewyn (review)
- Swan Song by Kelleigh Greenberg-Jephcott (review)
- Praise Song for the Butterflies by Bernice L. McFadden (review)