Verdict: Really quite brilliant.
My rating: 4.5 out of 5 stars
Genre: Literary Fiction
Published by Hamish Hamilton, 2019
Teeming with life and crackling with energy — a love song to modern Britain and black womanhood
Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.
Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
I am late to the party with this one – and I am so glad I can finally rave with the rest of the world. I thought this book was all kinds of wonderful. Told in four trios of what some have called short stories (though I would not necessarily agree with that assessment), Evaristo has written a snapshot of Britain in a way that I have not read before. She focusses on the interlinked lives of eleven black women and one black non-binary person in a way that worked exceedingly well for me. The book is much more a character study of these brilliantly drawn people than it is plot-driven, but I loved spending time with all of these women.
The first trio of stories remained my favourite until the end, particularly the very first story focussing Amma – I found her endlessly fascinating and her relationships to her daughter (second story) and best friend (third story) painfully realistic. Painfully realistic is in general how I would describe this book – it is in parts hard to read but it does remain a thread of hope without being sentimental. Most of that is down to how flawed and real Evaristo lets her characters be. She does not shy away from depicting these women behaving atrociously, often without realising. I do have to admit that the really flawed parental relationships became harder to stomach for me as time went on.
The language is another big draw here. I listened to the audiobook which gave the book a more non-fictiony type of feeling – but the way Evaristo’s language just flows is impressive nonetheless. Looking at quotes it seems like the language looks a lot more experimental when seen written on a page – I will have to reread this book eventually in print to see how different the experience is.
I loved this book a whole lot – everything about it just ticked a lot of my boxes. I was sad to be done with it and to not be able to spend time with this incredible cast of women. If this does not make the Women’s Prize longlist, I will be very sad.
Content warning: miscarriage, still birth, child death, sexism, homophobia, racism, spousal abuse, rape, gang rape, forced adoption, post-partum depression