The Women’s Prize for Fiction 2019: Shortlist Thoughts and Winner Predictions

I still haven’t read all the books on the longlist nor the shortlist for that matter (yes, I got sidetracked by fantasy and romance novels) but I read enough of all the books to have opinions. I really enjoyed my journey through the longlist, mostly because I read it with some super wonderful people, and I do plan on doing this again. It is so much fun feeling connected to the blogging community! And our group chat is a thing of beauty. I will still be posting three reviews and I imagine I will have thoughts on the winner come tomorrow, so this isn’t quite the end of my coverage but it feels a bit like it.

I will keep my thoughts on the longlist for when I finish reading it so for now I will concentrate on the six books on the shortlist in order of preference. Overall I find the shortlist underwhelming. The judges have picked mostly traditionally told books instead of the more experimental ones (and there weren’t many to begin with on the longlist) and I personally adore interesting narrative structures more than anything.

6) Ordinary People by Diana Evans

35277858I do not get on with the book so far. The writing style is absolutely not for me and I am not sure yet whether I’ll finish it at all. I find this one does what many of the books I disliked on the longlist did: it gets bogged down in unnecessary detail. I know this is a me thing but it is driving me a little bit up the walls. I would be very surprised if it won.

 

5) An American Marriage by Tayari Jones

33590210Many people love this book but I am not one of those people. I found Jones’ depiction of toxic masculinity convincing – but so very infuriating. I am not sure the book accomplishes what it sets out to do: the deeply problematic behaviour of the main character made me doubt his innocence in a way that undermined the more political points. I do not want this to win but would not be surprised. This book has clearly spoken to many people.

4) Circe my Madeline Miller

37134404I want to love this book. I love Millers writing on a sentence-by-sentence level and I agree with her political points but the book is killing me. I find her narrative style patronizing, she does not seem to trust her readers to understand subtext, and everything is spelled out. There are glimpses of brilliance (Medea!) but overall, I find Circe’s story dull and overshadowed by the men in her life – which seems to be the exact opposite of what Miller set out to do. But still, what pretty sentences. This does have a pretty good chance of winning and I wouldn’t pull my hair out if it did. Also, nearly everybody loves this, so I am probably just the wrong reader.

3) My Sister, the Serial Killer by Oyinkan Braithwaite

38819868I enjoyed this book a lot while reading it and I think it is a lot deeper than people give it credit for. But there is no way in hell this is the best book written by a woman or a non-binary author in the last year (that is obviously The Pisces but I am not still bitter about that). I loved the way the language flowed and I am always a fan of sibling relationships. If this won I wouldn’t be upset but I am not rooting for it. It does seem to be a lot of people’s prediction for the winner though, so colour me intrigued.

2) Milkman by Anna Burns

36047860This book has grown on me. While I found it brilliant from the beginning, I also struggled with my reading experience. But, god, what brilliance. This book is narratively the most interesting and accomplished book on the shortlist and it is the one I want to win even if it isn’t my personal favourite. There is just something mesmerizing about this book and I want Burns to have both the Booker and the Women’s Prize. Because this might actually be the best book written by a woman this last year (kidding, that is still The Pisces).

1) The Silence of the Girls by Pat Barker

38470229I loved, loved, loved this book. It was near perfect for me and seems practically custom-made. I love the way Barker tells her story and I find her characters endlessly compelling (they are the only really compelling characters on a shortlist filled with books whose characters did not work for me). I find her book very clever in its deliberate play with expectations (Achilles in humanized but not through his love to Patrocles but rather his difficult relationship with his parents; Briseis struggles more with her lack of agency than with the rest of her situation) and I am so very happy to love at least one book on the shortlist.

Which book are you rooting for? Is the book you’re rooting for the book you think will win? It doesn’t seem like there is a clear front runner, so I cannot wait for tomorrow.

Now I nearly forgot: I am predicting Milkman.

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Recommendations: fantasy books featuring gods

ww-2019-dragon-banner-all-capsI love books that ruminate on humanity by way of talking about gods. Love, love, love it. So I figured, I should write about my favourite books that deal with this. I am writing this post as part of Wyrd & Wonder – a month-long celebration of the fantastic hosted by imyril @ There’s Always Room for One More, Lisa @ Dear Geek Place and Jorie @ Jorie Loves a Story. You can sign up here!

The Inheritance trilogy by N. K. Jemisin

It is no secret that I adore N. K. Jemisin’s writing – and her lesser known trilogy is no exception to this. Set in a world where after a war between the gods some of those gods are enslaved by humans and one is revered, her world building is as impeccable as ever and her characters are brilliant. Some of the main characters gods, some aren’t, all are compelling. She does not shy away from how otherworldly and often awful beings with near endless power could be and the books are better for it.

American Gods by Neil Gaiman

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This is my favourite of Neil Gaiman’s books (although the Sandman graphic novels are a close second); I love everything about its sprawling plot and its integration of countless belief-systems. Shadow Moon is a brilliant main character to anchor the story and his acceptance of the strangeness around him worked exceedingly well for me.

 

The Divine Cities trilogy by Robert Jackson Bennett

This series is set in a world formerly ruled by Divinities and their whims – where even the laws of nature have been bent. Bulikov is far from its former glory as the centre of the world and the seat of the Gods – most of it was destroyed together with its Gods. It is now ruled by the very people it used to enslave.

I adored the mythology Bennet sets up here: what happens to all the things created by gods if they die? Especially when they ignored all natural laws to create those things? I find his world very well thought out and mesmerizing in its implications. Just thinking about these books make me giddy. I didn’t quite love the first book in his current trilogy but the ending made me VERY excited to see where the story goes next.

The Library of Mount Char by Scott Hawkins

26892110This stand-alone is a lot darker than most books I usually read, but with impeccable world-building and enough of a sense of the bizarre to be just my type of book. I adored how cleverly Hawkins sets up his readers and at least for me caught me totally unawares by the ending. I didn’t whole-heartedly love it – but I will still read anything he published next, if he ever does so, that is.

 

The Sixth World by Rebecca Roanhorse

I think I have been sufficently gushing about this series as of late – but I cannot help it, it is just perfect for the type of reader I am. I am very excited to see where it goes next and I love the glimpses of what I am assuming will be major themes going forward: the idea of agency in a world ruled by the whims of gods. That is just catnip for me.

I need to read more books like these; do you have any recommendations for me?

 

Thoughts: 2019 Hugo Award nominees

I know I have been all about the Women’s Prize for Fiction lately, but my first love is SFF – so I am always ridiculously excited when the Hugo Award nominations are announced and this year was no exception. While I have not been reading all that much hard SFF in these last few months (I am loving my romance spec-fic too much), I have heard of the vast majority of the fiction nominees (and many of the other nominees as well) and I am very excited for this year’s list!

You can find the complete list of nominees here. I do have some thoughts on some of the categories and felt the need to share them, if only to give a counterweight to the heavy lit-fic slant my blog had in March (and because I love talking about book prizes).

Best Novel

The Calculating Stars, by Mary Robinette Kowal (Tor)
Record of a Spaceborn Few, by Becky Chambers (Hodder & Stoughton / Harper Voyager)
Revenant Gun, by Yoon Ha Lee (Solaris)
Space Opera, by Catherynne M. Valente (Saga)
Spinning Silver, by Naomi Novik (Del Rey / Macmillan)
Trail of Lightning, by Rebecca Roanhorse (Saga)

Of these six books, I have read two (I loved both Spinning Silver (review) and Trail of Lightning (review)). I already own Record of a Spaceborn Few (I am a big fan of Becky Chamber’s brand of optimistic scifi and had this book preordered since forever but had to wait until the edition matched the other two books in the series). I have been itching to buy Space Opera because how can I not? A literal space opera? Inspired by my favourite event of the year – the Eurovision Song Contest? Literally everything about this sounds amazing. While I adore Mary Robinette Kowal’s online presence and have heard great things about the book, The Calculating Stars does not speak to me. And Yoon Ha Lee’s writing just scares me. Hard SciFi just is not my idea of a great time.

Best Novella

Artificial Condition, by Martha Wells (Tor.com Publishing)
Beneath the Sugar Sky, by Seanan McGuire (Tor.com Publishing)
Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com Publishing)
The Black God’s Drums, by P. Djèlí Clark (Tor.com Publishing)
Gods, Monsters, and the Lucky Peach, by Kelly Robson (Tor.com Publishing)
The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press / JABberwocky Literary Agency)

All I wanted to say is that tor.com really is crushing this category. I learned last year that novellas don’t really work for me – but this list seems stellar.

Best Graphic Story

Abbott, written by Saladin Ahmed, art by Sami Kivelä, colours by Jason Wordie, letters by Jim Campbell (BOOM! Studios)
Black Panther: Long Live the King, written by Nnedi Okorafor and Aaron Covington, art by André Lima Araújo, Mario Del Pennino and Tana Ford (Marvel)
Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)
On a Sunbeam, by Tillie Walden (First Second)
Paper Girls, Volume 4, written by Brian K. Vaughan, art by Cliff Chiang, colours by Matt Wilson, letters by Jared K. Fletcher (Image Comics)
Saga, Volume 9, written by Brian K. Vaughan, art by Fiona Staples (Image Comics)

Monstress!! I haven’t read this volume yet but adored the first two and I am very excited to see it on this list. Everything about this series excites me. I haven’t really been reading any graphic novels lately but Monstress is a literal masterpiece.

John W. Campbell Award for Best New Writer

Katherine Arden (2nd year of eligibility)
S.A. Chakraborty (2nd year of eligibility)
R.F. Kuang (1st year of eligibility)
Jeannette Ng (2nd year of eligibility)
Vina Jie-Min Prasad (2nd year of eligibility)
Rivers Solomon (2nd year of eligibility) 

I am super excited for this list. Katherine Arden obviously has my heart and R. F. Kuang is such an exciting author. I am also really happy to see Jeannette Ng on here, while I didn’t absolutely adore her book The Pendulum Sun her online presence is so very brilliant. And I have not been able to stop thinking about The Pendulum Sun either, so I cannot wait for her next book, whenever that might come out.

So overall I am mostly pleased. I don’t see myself attempting to read a large chunk of the many many nominated books or authors but I cannot wait to see who will win.

Are you pleased with the nominations? Are you planning on reading any of the categories in full? Is there any one book in particular that I should get to?

Women’s Prize for Fiction Longlist: Reaction

The longlist is finally here! I am beyond excited and a bit baffled because of the depth excitement. I stayed up yesterday to hear the announcement the moment it went live, something I have never done for a longlist announcement.

My longlist predictions were so wrong, it’s not even funny; I only correctly predicted two books. Of the 16 books on the longlist I have read three, am currently reading one, and three I had never heard of before yesterday. This means that I have an awful lot of reading to do (according to the Goodreads page counts it’s 4023 pages). I will really try to read the longlist but I will definitely DNF the books that don’t work for me.

Without much further ado, here is the longlist in all its glory:

The Silence of the Girls Pat Barker
Remembered Yvonne Battle-Felton
My Sister, the Serial Killer Oyinkan Braithwaite
The Pisces Melissa Broder
Milkman Anna Burns
Freshwater Akwaeke Emezi
Ordinary People Diana Evans
Swan Song Kelleigh Greenberg-Jephcott
An American Marriage Tayari Jones
Number One Chinese Restaurant Lillian Li
Bottled Goods Sophie van Llewyn
Lost Children Archive Valeria Luiselli
Praise Song for the Butterflies Bernice L. McFadden
Circe Madeline Miller
Ghost Wall Sarah Moss
Normal People by Sally Rooney

My thoughts:

Read: I am beyond thrilled The Pisces by Melissa Broder made the list; it was by far my favourite book of last year and I want more people to read it. In case you need convincing, here is my gushing review for it. I am also happy to see Freshwater by Akwaeke Emezi on the list, which I also adored (my review). I was a bit worried that Emezi wouldn’t want to be included as they are non-binary but they are pleased so I am pleased. I am keeping my fingers crossed that people will try to make an effort to use the correct pronouns though (the first glimpse on twitter makes that seem unlikely). The only other book I have read is Ghost Wall by Sarah Moss, where I seem to be the only person online to not have enjoyed it all that much (my review) – but others really do, so I am glad for its inclusion.

Currently reading: I have started Lost Children Archive by Valeria Luiselli a while ago and really enjoyed the first few pages but found the prose very wordy – I am excited to see it on the list though because that means there is at least one book I don’t need to hunt down.

Well pleased: I am super excited to get to Normal People by Sally Rooney; I finished Conversations With Friends yesterday and I am so very much in love with it that I will read everything Rooney ever publishes (I spent yesterday periodically exclaiming “What a book!”) – and Normal People sounds brilliant. I am also happy to see both Circe by Madeline Miller and The Silence of the Girls by Pat Barker on the list; I adore feminist myth retellings and I have heard great things about both books. I did not think both would make it but I am glad for it. I am also really excited to have an excuse to finally take the plunge and read Milkman by Anna Burns, a book that scares me but also sounds really great. I opted for the audiobook version of this as I have heard listening to the prose makes the book more accessible. My Sister, the Serial Killer by Oyinkan Braithwaite is another one of the books I did want to read at some point anyways and this is a welcome excuse to prioritize it.

Cautiously optimistic: I requested a review copy of Ordinary People by Diana Evans last year and didn’t get approved but it does sound like a book I could really enjoy. Swan Song by Kelleigh Greenberg-Jephcott isn’t quite a book I would have picked up on my own but I have heard great things about it. I am not good with books that deal with injustice, but again I have heard brilliant things about An American Marriage by Tayari Jones, so hopefully I will enjoyed it. I hadn’t heard of Bottled Goods by Sophie van Llewyn but it is a short book that actually sounds like it could be my cup of tea.

Slightly pessimistic: While Number One Chinese Restaurant Lillian Li sounds interesting, I have read rather negative reviews of it – however, sometimes my taste is different to Goodreads’ average and I might enjoy this more (after all, The Pisces has a dreadfully low rating as well and that book is perfection). Remembered by Yvonne Battle-Felton could be great but it is also really outside my wheelhouse.

Really dreading: Praise Song for the Butterflies by Bernice L. McFadden does not sound like my type of book at all – and the blurb includes this: “educational, eye-opening account of the practice of ritual servitude in West Africa.” and I do not really appreciate books that are meant to be educational. I am hoping to be proved wrong.

Overall I am mostly pleased (The Pisces!!!) but also sad for a few notable exclusions. I was really hoping for both My Year of Rest and Relaxation by Ottessa Moshfegh and Motherhood by Sheila Heti because I really, really want to read these books. I was also hoping for Women Talking by Miriam Toews because it sounds intriguing but I don’t know whether I’ll get to it without the added push. I also thought there would be more overlap with the Man Booker longlist and would have really liked The Water Cure by Sophie Mackintosh and Everything Under by Daisy Johnson to get a shout out because I really liked both books and think the authors are awesome.

What are your thoughts? Are you still planning on reading the longlist?

Women’s Prize for Fiction 2019: Predictions

I am attempting to read the longlist of this year’s Women’s Prize for Fiction which is actually the only prize I can see myself even trying to do this for. I am no good at following TBRs and my reading has been heavily slanted towards Fantasy and Non-Fiction these last few months but I do hope to at least give it a good whirl. It is basically going to be a big buddy read with Rachel (whose prediction post you should definitely check out) and I am so looking forward to this.

I have spent altogether too much time on this list already (I started a draft post basically the minute the eligibility period started last year) and then spent the last three weeks narrowing down the list to 16 books. I have no idea if my predictions have any basis in reality or even if all these books are indeed eligible but still, the process has been fun. These are not all books that I hope will make the longlist but those are some that I think have a good chance of making it (some of these books do not sound like my type of book at all, so maybe I am hoping to be wrong).

The first batch are the big names, those that have been nominated for other prizes and/ or have received a fair amount of hype:

The Water Cure by Sophie Mackintosh (I read and loved this and do think its ambiguity would make a lovely addition to the list)

Everything Under by Daisy Johnson (this was my favourite of the books longlisted for the Man Booker and I adored what Johnson did with perspective here).

The Great Believers by Rebecca Makkai (while it does not quite sound like my type of book, it intrigues me enough that I would not be disappointed if it made the list – and it has been mostly positively reviewed)

The Silence of the Girls by Pat Barker (another of the many feminist myth retellings, I opted for this instead of the more popular Circe – it seems to be closer to the mythological heart of its story)

Motherhood by Sheila Heti (I just really want to read this.)

My Year of Rest and Relaxation by Ottessa Moshfegh (Moshfegh is an author I am super intrigued by and this novels seems to be her best book yet – and I love books with unapologetically difficult main characters)

Normal People by Sally Rooney (if this doesn’t make the list, then I don’t even know. I am currently reading her debut novel and adoring it without measure and I would love to have an excuse to read this next)

Women Talking by Miriam Toews (everything I hear about this book sounds like it would make the perfect candidate for the long list – plus, I have been so on the fence about it that it would be nice to be convinced one way or the other)

And the second batch are the rest of the books I can see making this list for no reason at all except for a vague feeling of them doing so.

The Old Drift by Namwali Serpell (a multigenerational family drama set in Zambia would make a good counterweight to my more conventionally Western first predictions)

The Binding by Bridget Collins (I do think that at least one of the longer historical fiction books will make the list and this one sounds like something I might actually enjoy)

Orchid and the Wasp by Caoilinn Hughes (this is on here purely based on gut instinct)

Permission by Saskia Vogel (I am beyond intrigued by the blurb and it is short enough to pack a proper punch in the way I adore)

The Pact We Made by Layla AlAmmar (another book based in myth, this sounds timely and important and might be absolutely stunning – it isn’t completely in my wheelhouse but I am intrigued)

The Fourth Shore by Virginia Baily (this is historical fiction set in fascist Italy – and this is the only reason it made my list but it’s also the one I would dread reading the most – I am not too keen on either historical fiction or WWII)

So Lucky by Nicola Griffith (semi-autobiographical novel dealing with disability and grief? This sounds like it could be a punch to the gut in the best possible way)

Where Reasons End by Yiyun Li (everything about this sounds brilliant)

I cannot begin to tell you how excited I am for the longlist – and for this wonderful time in the online book community when suddenly many people are reading the same books.

What are your predictions for the Women’s Prize for Fiction longlist? And which books do you hope to see on there? Are you planning on following the prize at all? Let’s chat!

Thoughts: On romance

For a long time I have been telling myself and everybody else that I am not that interested in romance in books. Turns out, that is not quite true. I am not a fan of romance in books where it is the obligatory B-plot; I very much love books where a well-done romance is the A-plot (and preferably the B-plot is kickass-women kicking ass) or where the B-plot romance is done exceedingly well (looking at you, Ilona Andrews). I am apparently a hopeless romantic at heart and I have been loving reading romantic genre fiction so very much these last few months.

There is something comforting about a well-done romance – and I need comforting at the moment. I love the feeling of trusting an author to both write an exciting story and to not break my heart while doing it. Thus I find predictability (when it comes to the eventual outcome and not the way there) a definite plus right now. When romance is done well the authors show an incredible insight into the human condition – and I find it highly frustrating that this is not more well-respected. A well-done romance is such a difficult thing to achieve! Other people have talked about how this dismissal of romance is a gendered thing and I don’t feel like getting angry at the world today, so I won’t write about this. I have just realized how much I am enjoying the genre at the moment – and I am liking this a lot.

But there are some tropes that set my teeth on edge and while I am a lot more forgiving of possessive behaviour in books than I am in real life (as is everybody I guess), I am still unsure how to choose books to read because so very often the male love interest is godawful and I would want to spend zero time with them. I am not a fan of books with huge power imbalance (on the emotional level especially) and I am thus hugely not a fan of big age differences, especially in realistic fiction or when the main female character is under 25. For me, YA romance really does not work at all for a number of reasons – especially when the romance feels like it is only included because that seems like the thing to do. I also get a bit grumpy when a book is too angsty and teenagers tend to be rather angsty and I’d rather not read about that. I want to read about adults falling in love and saving the world.

Here are two series I have loved and swooned about recently to give an indication what works for me:

The Kate Daniels’ series by Ilona Andrews: These books are definitely Urban Fantasy and as such the romantic subplot is not the main focus. The world-building and the overarching story is ridiculously well-done, but what kept me reading way past my bed time were the relationships Kate develops, not only romantic ones but also platonic ones. Kate is a wonderfully realized main character, with flaws but also seriously kickass and who is before every thing else a good person – and her relationship with Curran really, really worked for me. It was slow-burn enough to nearly kill me and then after a bit of angst, solid enough to keep me engaged. God, I love this series.

The Psy-Changeling series by Nalini Singh: I am still reading this, but after racing through the first 11 (!) books in a bit over a month, I needed to take a breather. Unlike the Kate Daniels’ series, these books each follow different main characters, which has the advantage of instant satisfaction but also lessened the squeal. The relationships here are all different and follow different tropes (some of which I like less than others), but what works for me exceedingly well is that any possessiveness the male characters might feel is always tempered by them being ridiculously in love with the women and not wanting to change them – this fundamental acceptance of who the women are at their core is a lovely thing to read.

Please do recommend books to me! The genre is a minefield and I want to only read books that make me happy! I recently bought Darkfever by Karen Marie Mooning because it was only a Euro but that book set my teeth on edge within a couple of pages and I called it quits after 30 pages or so. Which is why I need help.

Recommendations: Adult Fantasy

I have seen a discussion floating around Twitter about that period between being a teenager and being an adult and the difficulty some people face in finding books that speak to them. I have talked about memoirs in this context before as I find that they are a brilliant way of finding books that talk about exactly these experiences. Rachel has also written a brilliant post recommending adult books for young adults, which you should absolutely check out. But today I want to recommend some Adult Fantasy – because there are so many great books in that section that people maybe ignore. I personally have been struggling with YA fantasy because the focus on love stories is just not something I am super interested in, and have been mostly reading adult fantasy.

I also have thoughts about whose books get classified as YA. Hint: Not those written by men. Coming-of-age stories are a staple in adult fantasy, be it Lord of the Rings or The Name of the Wind. But nobody calls these books YA. But when a young woman writes fantasy suddenly people insist on calling it YA. Case in point: R. F. Kuang’s The Poppy War, which is decidedly NOT YA and super gruesome in parts. The author received some weird backlash when she insisted that her book really, really, really is not YA and should be treated as such. So I would politely ask everybody to think about their assumptions when it comes to placing books in the YA section in their heads.

Urban Fantasy:

The Rivers of London Series by Ben Aaronovitch

9317452I love this series with all my heart. The main character is in his mid-twenties and working as a police man when he stumbles upon the supernatural underbelly of contemporary London. The books are hilarious and self-aware, the cast of characters is diverse and wonderfully drawn, and reading these books just makes me happy. The seventh book is due to come out this month and I cannot wait to hold it in my hands.

The Kate Daniels Series by Ilona Andrews

7940930I went through a ridiculous binge of these books earlier this year and only have the last book in the series left to read. Kate is a wonderful protagonist who I am always rooting for. She is in her early twenties when the series begins and working as a private investigator, trying to just live her life and not get emotionally involved with anybody. I have rarely been as invested in a relationship as I am in hers and Curran (even if he is a bit of an ass sometimes) and love the strong emphasis on friendship these books have at their core. I have also recently read another series by Ilona Andrews which I also whole-heartedly recommend.

High Fantasy:

The Broken Earth trilogy by N. K. Jemisin

19161852I adore this. I don’t even have all that many words to describe how utterly perfect I think this series is. N. K. Jemisin might be my all-time favourite author and I am dragging my feet to read the last of her series that I haven’t read yet because then I would have to wait for new books to appear. The first book is told from three perspectives following three women of different ages and their struggles. It grapples with growing up and family and racism and the end of the world. The themes of family at the core of this series really broke my heart.

The Divine Cities trilogy by Robert Jackson Bennett

25452717The protagonists of this series are on the older end – and I absolutely loved this. They still are looking for their place in the world and they try to be good people (and sometimes fail at this).The characters rebel against their families’ expectations in a way that I found highly relatable. Bennett’s language is assured, his characterization on point, and his world-building intricate.

Standalones:

All the Birds in the Sky by Charlie Jane Anders

27313170Sitting just at the edge between fantasy and science fiction, this is basically a coming-of-age story, focussing on the friendship between a witch and a scientist. There are strong themes of family and friendship, on doing the right thing as opposed to the easy thing, and of identity and self. The characters in this book are different and wonderful. Anders’ imagination is dazzling and I cannot wait for her new book coming out in January 2019.

Reincarnation Blues by Michael Poore

33571217Milo is an old soul, literally – he has lived 9995 lives so far and has yet to achieve perfection. In fact he isn’t even sure he wants to achieve perfection as he is in love with Death (or rather a Death – Suzie). This has to change when he is informed that every soul has in fact only 10000 lives to get it right or it will be erased. This a book, at its core, about finding your place in the world and about being the best person you can be. And I can think of few things more relevant to me.

What are your favourite adult fantasy novels that might be interesting to people trying to find their way into the genre?