“Later, we all remembered the party differently, either because of the open bar or because of course memories are always bent in retrospect to fit individual narratives.”The Glass Hotel – published by Pan MacMillan, August 6th 2020
My rating: 5 out of 5 stars
From the award-winning author of Station Eleven, a captivating novel of money, beauty, white-collar crime, ghosts, and moral compromise in which a woman disappears from a container ship off the coast of Mauritania and a massive Ponzi scheme implodes in New York, dragging countless fortunes with it.
Vincent is a bartender at the Hotel Caiette, a five-star glass and cedar palace on an island in British Columbia. Jonathan Alkaitis works in finance and owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, Vincent’s half-brother, Paul, scrawls a note on the windowed wall of the hotel: “Why don’t you swallow broken glass.” Leon Prevant, a shipping executive for a company called Neptune Logistics, sees the note from the hotel bar and is shaken to his core. Thirteen years later Vincent mysteriously disappears from the deck of the Neptune Cumberland. Weaving together the lives of these characters, The Glass Hotel moves between the ship, the skyscrapers of Manhattan, and the wilderness of northern Vancouver Island, painting a breathtaking picture of greed and guilt, fantasy and delusion, art and the ghosts of our pasts.
Verdict: I loved this so.
I am having a difficult time putting into words why I loved this so. A book prominently featuring a Ponzi scheme and its fall out is on paper not something that should work for me – but this is Emily St. John Mandel we are talking about here, author of one of my all-time favourite books whose next work I had been eagerly awaiting for literal years. And underneath the premise, there are so very many things that I adore in fiction: told unchronologically from a variety of points of views, featuring difficult characters that I nevertheless rooted for (especially Vincent who I just adored), with hints of the supernatural as manifestation of guilt, scenes that would recontextualize what came before, and above all the author’s incredible way with words.
This is not a book concerned with closure or with satisfying conclusions and I thought it was that much stronger because of this. Emily St. John Mandel deals with human emotions and human faults without shying away from the fact that often in life, things do not end with a neat bow around them. Her characters make irreversible mistakes, they hurt each other and themselves, and they just have to live with that. Many of them reminisce about how their lives could have turned out differently if they had chosen different paths, imagining a sort of parallel universe where their mistakes were not this grave – and I loved this. The whole book has a lovely sense of melancholy but it is not hopeless which is a difficult to achieve balance.
I really do hope I won’t have to wait as long as last time for a new book by Emily St. John Mandel.
Content warnings: drug abuse, death of a loved one, ghosts
I received an ARC of this book courtesy of NetGalley and the publisher in exchange for an honest review.