Verdict: In parts brilliant, in parts unsubtle
My rating: 4 out of 5 stars
Genre: General fiction
Published by Penguin, 2017
Everyone in Shaker Heights was talking about it that summer: how Isabelle, the last of the Richardson children, had finally gone around the bend and burned the house down.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is meticulously planned – from the layout of the winding roads, to the colours of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.
Enter Mia Warren – an enigmatic artist and single mother – who arrives in this idyllic bubble with her teenage daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than just tenants: all four Richardson children are drawn to the alluring mother-daughter pair. But Mia carries with her a mysterious past, and a disregard for the rules that threatens to upend this carefully ordered community.
When the Richardsons’ friends attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town and puts Mia and Mrs. Richardson on opposing sides. Suspicious of Mia and her motives, Mrs. Richardson becomes determined to uncover the secrets in Mia’s past. But her obsession will come at unexpected and devastating costs to her own family – and Mia’s.
Little Fires Everywhere explores the weight of long-held secrets and the ferocious pull of motherhood-and the danger of believing that planning and following the rules can avert disaster, or heartbreak.
Again it feels like I am the last person to have read a book – and again I am so glad to have finally gotten to it. I adored Celeste Ng’s debut novel Everything I Never Told You and while I don’t think this book was quite as strong, it was still brilliant enough that I will be reading every single thing she ever publishes.
At its heart, this is a book about mothers and their relationship to their children. It follows to very different women, free-spirited Mia and perfect Mrs Richardson and their children while at the same time being more of a pastiche depicting a small towns inhabitants. I really enjoyed the rambling nature of the narrative and was happily along for the ride. I thought Ng took incredible care with most of her characters and her command of language in describing these everyday scenes was wonderful.
For me the book got weaker as it neared the ending, when the story became less subtle and it became more clear what Ng wanted the reader to think. I thought this did a disservice to the wonderfully complex moral conundrum at the heart of this novel. There were no easy answers her and for me it felt like the novel pretended as if there were. I found the two women at the centre became less real and more archetypical towards the ending and as such lost power.
On the other end of the spectrum, I adored the way Ng handled the younger generation. All the teenagers felt real and believable and their relationships with each other made my heart ache with its earnesty. Especially the three women had my hearts and I wanted them to be happy; Izzy with her prickliness, Lexie with her strong moral compass that just so happens to not always include her own actions, and Pearl who just wanted to belong. Ng just really has a way of constructing believable characters that make me very excited for whatever she writes next.